Essay on the Gay as a Literary Figure in The Picture of Dorian Gray

The Gay as a Literary Figure in The Picture of Dorian Grayâ â â â â â â Â â This paper will investigate the gay as a scholarly figure dependent on Oscar Wilde's The Picture of Dorian Gray. The point of the article is triple. Right off the bat, to show how the gay is identified with two of the most strong model pictures: those of Dionysos and Apollo. Furthermore, to show that the Wildean gay is significantly scared of life, and that his enthusiasm for structure and stylish extent lays on a rule of avoidance. Thirdly, to fight that the funniness in this novel, and by expansion additionally in Wilde's plays, is a side effect of the creator's interest with an original gay. The Picture of Dorian Gray spins around Dorian's double nature. From one viewpoint, he is the youthful legend whose undertakings the novel records; on the other, he is a painted picture of phenomenal individual magnificence. When Lord Henry reveals to him that his excellent looks won't last, the youngster asks that he be permitted to stay as he is in Basil's representation of him. Dorian needs to make the most of his childhood for ever. His frantic wish is a key to the original variables which... ... inebriation and Apollonian structure; of Dionysian association and Apollonian inaccessibility. He can appreciate the Dionysian joys to which he needs to desert himself, yet at an Apollonian separation. Works Cited Wilde, Oscar. The Picture of Dorian Gray. Ed. Isobel Murray. London: Oxford University Press, 1974. Wilde, Oscar. The Letters of Oscar Wilde. Ed. R. Hart-Davis. London: Hart-Davis, 1962. Jung, C.G. The Collected Works. Ed. Sir Herbert Read and so forth. London: Routledge and Kegan Paul, 1953-1976. Vol. 9.ii; standard. 73. Additionally CW 11.283. Â